{"id":1876,"date":"2017-02-28T18:00:33","date_gmt":"2017-02-28T18:00:33","guid":{"rendered":"http:\/\/www.mollieecheverria.com\/?p=1876"},"modified":"2017-04-01T05:31:14","modified_gmt":"2017-04-01T05:31:14","slug":"february-28-2017","status":"publish","type":"post","link":"https:\/\/www.mollieecheverria.com\/?p=1876","title":{"rendered":"February 28, 2017"},"content":{"rendered":"<div class='booster-block booster-read-block'>\n                <div class=\"twp-read-time\">\n                \t<i class=\"booster-icon twp-clock\"><\/i> <span>Read Time:<\/span>4 Minute, 33 Second                <\/div>\n\n            <\/div><h3 class=\"c5\"><em><span class=\"c52 c13 c1 c17\">Fast Forward: Painting from the 1980s<\/span><\/em><\/h3>\n<p><span class=\"c2\">I had the opportunity to attend a curator-led staff tour of one of the Whitney\u2019s current exhibitions before lunch. Not directly related to project work, but interesting to get some context on the work in the show and trends of the era.<\/span><\/p>\n<h3 class=\"c5\"><span class=\"c13 c1 c17 c52\">Standardizing Museum Provenance for the Twenty-First Century<\/span><\/h3>\n<p><span class=\"c2\">Prof. Pattuelli notified me of a livestreaming talk on 02\/27\/17 at the Yale Center for British Art about the Carnegie Museum Provenance project.<\/span><\/p>\n<p>Newbury, D. (2017 February 27). <span class=\"c17\"><em>Standardizing Museum Provenance for the Twenty-First Century<\/em>. <\/span>New Haven, CT: Yale Center for British Art. Retrieved from <span class=\"c4\"><a class=\"c18\" href=\"https:\/\/youtu.be\/YKJqINwZ--o\">https:\/\/youtu.be\/YKJqINwZ&#8211;o<\/a><\/span><\/p>\n<p><span class=\"c2\">David Newbury, who gave the talk, is the lead project developer of the ArtTracks project at the Carnegie, which had been ongoing for the past 3.5-4 years<\/span><\/p>\n<p><span class=\"c2\">The Carnegie project has taken much longer than Newbury had anticipated. Coming from an animation and data visualization background, Newbury guessed the project would only a matter of weeks or months, not realizing the complexity of provenance data.<\/span><\/p>\n<h3 class=\"c5\"><span class=\"c24 c13 c1\">The Carnegie\u2019s Use and Rationale for Linked Data<\/span><\/h3>\n<p>The Carnegie Museum\u2019s linked data was not necessarily envisioned as linked <span class=\"c1 c41\">open<\/span><span class=\"c2\">\u00a0data.<\/span><\/p>\n<p><span class=\"c2\">The Carnegie does, however, recognize the need for sharing data across institutions.<\/span><\/p>\n<p><span class=\"c2\">What is the value of museums sharing their data with the public?<\/span><\/p>\n<p><span class=\"c2\">Are museums:<\/span><\/p>\n<ul>\n<li><span class=\"c2\">Publishers? (Yes)<\/span><\/li>\n<li><span class=\"c2\">Researchers? (Yes)<\/span><\/li>\n<\/ul>\n<p>Fundamentally, however, museums are <span class=\"c41\">collectors<\/span><span class=\"c2\">.<\/span><\/p>\n<p><span class=\"c2\">Despite earlier hopes of researchers, linked data has not been successful in enabling web-scale AI (i.e. it hasn\u2019t made the internet machine-readable).<\/span><\/p>\n<p><span class=\"c2\">Nor does it enable interoperability\/easier collaboration.<\/span><\/p>\n<p><span class=\"c2\">Nor does it automate reconciliation\/reduce workload.<\/span><\/p>\n<p><span class=\"c2\">Linked data is one of multiple ways of potentially representing data, each with its own pros and cons.<\/span><\/p>\n<p><span class=\"c2\">Aim of Carnegie project was to standardize provenance data so it could be presented as:<\/span><\/p>\n<ul>\n<li><span class=\"c2\">Linked data<\/span><\/li>\n<li><span class=\"c2\">JSON<\/span><\/li>\n<li><span class=\"c2\">Text<\/span><\/li>\n<li><span class=\"c2\">End goal: shared online scholarship<\/span><\/li>\n<\/ul>\n<p><span class=\"c2\">Need to preserve the nuances of provenance data contained within text<\/span><\/p>\n<h4 class=\"c23\"><span class=\"c24 c13 c1\">Four Advantages of Linked Data<\/span><\/h4>\n<p><span class=\"c2\">Advantage One: Allows for linking to other authorities<\/span><\/p>\n<p><span class=\"c2\">Linking to outside authorities lends the museum itself authority (i.e. certifies that museum is providing accurate information to patrons).<\/span><\/p>\n<p><span class=\"c2\">Name authorities allow museums to provide authoritative info without having to expend money on research<\/span><\/p>\n<p><span class=\"c2\">Name authorities = Museum saves money!<\/span><\/p>\n<p>A museum is best suited to <span class=\"c17\">asserted authority <\/span><span class=\"c2\">&#8211; being an authority on the objects in its own collection, its own exhibitions, and other events that have taken place during the course of the museum\u2019s existence.<\/span><\/p>\n<p>Being an authority on things not within the sphere of an individual institution and its collection are better delegated to other sources. This <span class=\"c17\">delegated authority <\/span><span class=\"c2\">can be covered by various name authority sources (VIAF, ULAN, etc).<\/span><\/p>\n<p><span class=\"c17\">Reluctant authority &#8211; <\/span><span class=\"c2\">when you have to be the authority on a subject for which there are no authority records. For example, obscure constituents that only the curatorial department knows about, i.e. random art galleries from the 1930s.<\/span><\/p>\n<p><span class=\"c2\">As a reluctant authority, you are taking the reigns as an authority until someone else publishes more definitive information.<\/span><\/p>\n<p><span class=\"c2\">\u201cTemporary authority held out of necessity, not desire\u201d<\/span><\/p>\n<h4 class=\"c5\"><span class=\"c1\">Carnegie Tools<\/span><span class=\"c2\">\u00a0<\/span><\/h4>\n<p class=\"c5\"><span class=\"c4\"><a class=\"c18\" href=\"https:\/\/github.com\/arttracks\">https:\/\/github.com\/arttracks<\/a><\/span><\/p>\n<p>museum_provenance (<span class=\"c4\"><a class=\"c18\" href=\"https:\/\/github.com\/arttracks\/museum_provenance\">https:\/\/github.com\/arttracks\/museum_provenance<\/a><\/span><span class=\"c2\">):<\/span><\/p>\n<p>\u201cThe <span class=\"c4\"><a class=\"c18\" href=\"https:\/\/github.com\/cmoa\/museum_provenance\">museum_provenance<\/a><\/span>\u00a0library is the core technology developed for this project. It takes provenance records and converts them into structured, well-formatted data.\u201d- \u00a0http:\/\/www.museumprovenance.org\/<\/p>\n<p><span class=\"c2\">Tool for parsing provenance relationships from text fields (such as TMS Provenance field). For my purposes, probably more useful at later stage of project.<\/span><\/p>\n<p>Elysa (<span class=\"c4\"><a class=\"c18\" href=\"https:\/\/github.com\/arttracks\/elysa\">https:\/\/github.com\/arttracks\/elysa<\/a><\/span><span class=\"c2\">):<\/span><\/p>\n<p>\u201cThe <span class=\"c4\"><a class=\"c18\" href=\"https:\/\/github.com\/cmoa\/elysa\">Elysa<\/a><\/span><span class=\"c2\">\u00a0tool is a user interface designed for museum professionals. It assists with verifying, cleaning, and modifying provenance records.\u201d<\/span><\/p>\n<p>It\u2019s a GUI for extracting provenance information from text fields<\/p>\n<p>MicroAuthority (<span class=\"c4\"><a class=\"c18\" href=\"https:\/\/github.com\/arttracks\/microauthority\">https:\/\/github.com\/arttracks\/microauthority<\/a><\/span><span class=\"c2\">): Linked open data publication tool developed for smaller institutions looking to create URIs for constituents who don\u2019t have records on any name authority sites. Given how obscure many of the Acquisition-Related constituents in the Founding Collection are, creating URIs for these people could be a goal of my project. \u00a0<\/span><\/p>\n<p>provenance_interactive (<span class=\"c4\"><a class=\"c18\" href=\"https:\/\/github.com\/arttracks\/provenance-interactive\">https:\/\/github.com\/arttracks\/provenance-interactive<\/a><\/span><span class=\"c2\">): Tool for creating visualizations of provenance information. Probably not too exciting for the Whitney\u2019s purposes, since everything in the Foundation Collection is American and made within the last couple centuries.<\/span><\/p>\n<p>Baring_art_sales (<span class=\"c4\"><a class=\"c18\" href=\"https:\/\/github.com\/arttracks\/baring_art_sales\">https:\/\/github.com\/arttracks\/baring_art_sales<\/a><\/span>): Data on the purchases of the Baring family in CSV and JSON form. Doesn\u2019t really extend to the Whitney Founding Collection era (latest dates 1917), but interesting because it employs the Carnegie\u2019s <span class=\"c4\"><a class=\"c18\" href=\"http:\/\/www.museumprovenance.org\/reference\/acquisition_methods\/\">Acquisition Method Vocabulary<\/a><\/span><span class=\"c2\">, an ontology created for the project.<\/span><\/p>\n<p><span class=\"c4\"><a class=\"c18\" href=\"https:\/\/github.com\/whosonfirst-data\/whosonfirst-data\">https:\/\/github.com\/whosonfirst-data\/whosonfirst-data<\/a><\/span><span class=\"c2\">\u00a0<\/span><\/p>\n<p class=\"c22\"><span class=\"c1\"><a class=\"c18\" href=\"http:\/\/www.museumprovenance.org\/reference\/acquisition_methods\/\">Acquisition Method Vocabulary<\/a><\/span><\/p>\n<p>The Carnegie SKOS (<span class=\"c4\"><a class=\"c18\" href=\"http:\/\/www.museumprovenance.org\/acquisition_methods.ttl\">http:\/\/www.museumprovenance.org\/acquisition_methods.ttl<\/a><\/span><span class=\"c2\">) for their ontology seems mostly focused on very specific acquisition methods. It seems like it would make more sense as supplement to CIDOC than as a stand-alone conceptual model.<\/span><\/p>\n<h3 class=\"c5\"><span class=\"c24 c13 c1\">Ruby on Rails<\/span><\/h3>\n<p>All of the Carnegie\u2019s apps are built on Ruby. To install it, I followed these instructions: <span class=\"c4\"><a class=\"c18\" href=\"http:\/\/railsapps.github.io\/installrubyonrails-mac.html\">http:\/\/railsapps.github.io\/installrubyonrails-mac.html<\/a><\/span><\/p>\n<p>Gems in Ruby: <span class=\"c4\"><a class=\"c18\" href=\"http:\/\/guides.rubygems.org\/what-is-a-gem\/\">http:\/\/guides.rubygems.org\/what-is-a-gem\/<\/a><\/span><span class=\"c2\">\u00a0<\/span><\/p>\n<p><span class=\"c2\">Ruby is&#8230;time consuming to install<\/span><\/p>\n<p><span class=\"c2\">Trying to install the Getty\u2019s Elysa app, but it keeps using an older, incompatible version<\/span><\/p>\n<p><span class=\"c2\">Eventually uninstalled\/reinstalled Ruby, but was still unable to run Foreman server<\/span><\/p>\n<p><a class=\"swipebox\" href=\"https:\/\/www.mollieecheverria.com\/wp-content\/uploads\/2017\/04\/image05.png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-1877\" 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Not directly related to project work, but interesting to get some context on the work in the show and trends of the era. Standardizing Museum Provenance for the Twenty-First Century [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1876","post","type-post","status-publish","format-standard","hentry","category-whitney-journal"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Mollie Echeverr\u00eda<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.mollieecheverria.com\/?p=1876\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"amanda\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" 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